I set up this site because it finally happened - there's a dSLR under $1000 that shoots full 1080p and supports the full range of EF lenses.
My background is mostly in web-based production work. I've shot mostly on cameras like the Panasonic HVX-200, Sony FX-1, and the like. Currently, I've been using a Canon HV30, and I've been looking (hoping and waiting) for a camera that could move me away from the HDV or DVCPROHD world, but not break the $1000 marker.
I'm very much aware of the limitations the H.264 format has. I know it's a compromise compared to, say, REDCode, or 4:4:4 uncompressed. However, economics being what they are, cameras with those types of output are WAY out of my price range. I'm looking for something that'll move me away from HDV. The low-light of the T2i BLOWS AWAY anything I've seen in the HDV space (or HVX-200, or Ex1, or, well, a LOT of fixed-lens cameras out there...)
The question I get a lot is, why compromise - just rent a RED? Unfortunately, that's not going to work for most of what I do. I shoot a loot of improv, unscripted, on-location stuff, often in natural lights, with only a reflector. Until a RED will fit in my carry-on bag, it ain't gonna happen.
The RED Scarlet is super-interesting to me. Even though we're talking $5k +, it's just the type of camera I'm looking for. I'll be watching their development closely. The Rebel is great for now, will let me build up a set of lenses, and, when the Scarlet FF35 is shipping, I can revisit RED.
I'm also closely looking at workflows with the clips from the Canon dSLRs, and I'm hoping to have some good news in the near future... Stay tuned...
CNN and $25 Million Bucks - I haven’t given this a lot of thought but I wanted to “flesh out” some ideas and I thought I’d do this publically, because… Pizza. Casey Neistat, the wi...
3 months ago